Combine fabric, a brush, hot wax, and a canting tool, add a touch of creativity with a modern twist, and just like that, magic happens – bringing Kapten Batik’s stunning creations to life.

SOCIAL RESPONSIBILITY

Winner of the Sustainable Brand award in 2024 at the SME100 Awards 2024, Kapten Batik owners Ekram Faiz and Farhan Omar believe that batik is more than just formal wear. A socially responsible brand, Kapten Batik aims to promote sustainable.

“From using eco-conscious materials to reducing our environmental footprint, we believe that fashion can be both beautiful and responsible. All our materials, including fabrics and colour dyes, are OEKO-TEX certified, and safe for both consumers and the environment.”

By reimagining traditional batik and introducing fresh, modern designs, Kapten Batik’s journey has always been about creating something meaningful.

THE SUASANA COLLECTION: INSPIRED BY NATURE, DESIGNED FOR ELEGANCE

Introducing Suasana, a batik collective inspired by the beauty and cultural significance of Malaysia’s scenic nature, journeyed through by many on their homecoming – harmonised through colours and motif play. Looking at Kapten Batik’s Suasana collection, the name reflects the inspiration drawn from different natural and cultural landscapes.

“Suasana” means atmosphere, ambiance, or mood in Malay and refers to the overall feeling or environment of a place. For example, suasana tenang means a peaceful atmosphere, and suasana melankolik refers to a sentimental or nostalgic mood.

This emotional design journey by Kapten Batik has resulted in the creation of more than a hundred artisanal batik pieces for the Suasana collection. Each piece is crafted as part of Kapten Batik’s signature series, including Masterpiece, Maharaja, Nusantara, Linen, and the newly introduced Embroidery series.

BATIK IS THE IDEAL FESTIVE SEASON WEAR

The Suasana theme directly connects to the recent Raya festive season, when people travel from one place to another in search of their own ‘Suasana’, with Kapten Batik pieces becoming a part of their journey. Moreover, the batik themes are ideal for any of Malaysia’s many festive periods year-round!

The Maharani Tea Plantation design for women for example, reflects the serene experience of sipping tea surrounded by lush green hills, featuring delicate batik patterns. The Nusantara Paddy Fields designs for kids and men showcase a lone scarecrow standing in expansive golden fields, blending hand-drawn sketches with abstract details.

Meanwhile, the Masterpiece Taman Negara Mulu design for men showcases the rainforest’s day-to-night transformations.

The Maharani Pulau Perhentian design for women embraces island life with coconut trees, turtles, and beach chairs, whereas the Mountain collection takes inspiration from towering peaks and limestone formations.

The Waterfall series embodies the movement of cascading water, while the Tea Plantation line reflects the peaceful charm of tea estates. Finally, the Island & Paddy Fields collection blends coastal serenity with golden fields, creating harmonious designs infused with soothing blues and lush greens.

Stunning, to say the least, and a true testament to the artistry and craftsmanship, behind each design.

Launched by friends and former engineers Ekram Faiz and Farhan Omar in March 2017 as a more tailored approach to men’s batik and men’s fashion industry, Kapten Batik offers ‘batik you can wear every day’. Considerably grown since their start, the brand product list is huge and varies from menswear and ladieswear to a kids’ collection, activewear, accessories, and even swimwear.

Kapten Batik’s flagship is located at Publika Shopping Gallery in KL, and it has additional stores in the Klang Valley and Penang. They recently opened an outlet in The Campus in Ampang.

To learn more, just CLICK HERE!

The post Kapten Batik: Telling Tales Through Batik appeared first on ExpatGo.

Actor Evan Mock and singer Mika Hashizume stylishly reflect Maui Jim’s contemporary coolness as Global and Asia Pacific Brand Ambassadors, respectively, in the new advertising campaign “Color You Can Feel.” This campaign coincides with the launch of Collection Ekahi, the first collection designed and produced by Kering Eyewear, marking a significant moment in Maui Jim’s strategy to refresh its image and expand its global reach, appealing to a younger, international audience.

Inspired by an appreciation of light and colour, Maui Jim’s focus on innovation is exemplified in its prescription technology and the proprietary PolarizedPlus2 technology featured in every lens. This technology protects eyes against harmful UV rays while enhancing the visual experience.

The campaign takes viewers on an immersive journey through colour, beauty, and emotion, showcasing a vibrant series of portraits that highlight the connection between sight and feeling when wearing Maui Jim sunglasses. The campaign promises an unparalleled visual journey, celebrating the brand’s commitment to pushing the boundaries of visual experience.

A dedicated creative effort completes the campaign with visuals and videos emphasizing the benefits of Maui Jim’s prescription lenses, tailored to meet every need for various occasions – from commuting through bustling city streets to engaging in outdoor sports and exploring sun-kissed shores.

Maui Jim presents a resonant narrative featuring distinct personalities who experience the world’s beauty through innovation and iconic style. The images demonstrate how Maui Jim frames redefine perception, enriching inner perspectives and transforming passive observers into active doers with a richer, clearer, and more vivid vision, from the brilliant hues of a sunset to the crisp, pure blues of the ocean.

Starring in the campaign, Evan Mock personifies Maui Jim’s contemporary coolness and imaginative spirit. From surfing and skateboarding on Oahu’s North Shore to his role in the “Gossip Girl” TV series, his unique approach makes him the perfect embodiment of the brand’s essence.

Mock expressed his enthusiasm: “Being a part of Maui Jim’s campaign is an honor. Being Hawaiian, Maui Jim has been such a big part of my life… It was just around, my grandfather had them, my father had them, that’s why the project became interesting to me. ‘Color You Can Feel’ is not just about sunglasses, it’s what you get when you put them on. Colors are vibrating… Watch the sunset and tell me what you feel!”

The collaboration with Evan Mock extends beyond his participation in the campaign, embracing solidarity with the Lahaina community after last summer’s tragic wildfires. As Maui Jim’s Global Brand Ambassador, Mock will support the company’s communications related to all actions undertaken to sustain the Hawaii Community Foundation’s “Maui Strong Fund.”

Following an immediate donation made during the disaster, Maui Jim will donate a portion of proceeds from the four styles worn by Mock in the campaign to the people of Lahaina, the birthplace and home of the brand. Details on the donation will be available on the mauijim.com website.

Roberto Vedovotto, President and CEO of Kering Eyewear, expressed his pride: “Embracing the essence of ‘Ohana, we are embarking on a transformative journey, fueled by passion and unwavering commitment, to elevate Maui Jim to new heights. With our ‘Color You Can Feel’ campaign, we are not just redefining eyewear, we are reshaping experiences. Together with Evan, who embodies the essence of Maui Jim’s contemporary DNA, we are not just selling sunglasses: we are inviting everyone to see the world through a lens of vibrancy, clarity and emotion.”

The campaign also features an authentic casting of diverse faces, representing Maui Jim’s commitment to inclusivity and catering to a wide spectrum of outdoor enthusiasts, experience seekers, Gen Z trendsetters, and ageless consumers with an attitude. The visuals were crafted by British photographer Nick Riley Bentham and Paris-based film director and artist Neels Castillon.

Dive into a world where every shade tells a story and every hue breathes life into your moments. Introducing the campaign “Color You Can Feel” starring Evan Mock, for the launch of the new Collection Ekahi: a celebration of the vibrant, vivid, and decidedly beautiful world we live in every day.

Adding to the excitement is the appointment of Asia Pacific brand ambassador, singer Mika Hashizume. Born and raised in Hawaii, Hashizume reconnects with the sunshine, beaches, and peaceful moments of his childhood through Maui Jim lenses. He is seen wearing the Ekahi collection, including the frameless rectangular Laulima style, designed with fashionable reflective mirror lenses and lightweight frames, perfect for outdoor leisure enthusiasts.

Maui Jim’s collection ranges from RM880 to RM1,935, available at Kering Eyewear Boutique by MOG Prestige located at Level 4, Pavilion Kuala Lumpur, and MOG outlets.

Official Hashtags:
@MauiJim #ColorYouCanFeel #CollectionEkahi
@KeringEyewear @MOGPrestige @MOGEyewear

The post Maui Jim Unveils New “Color You Can Feel” Campaign appeared first on ExpatGo.

Based in Kuala Lumpur, Badass Monkies (BAM) emerged in 2011 as a passion project by founder Natasha Francis and co-founder Keyani Reuben. Originating from South London with Jamaican heritage, the dynamic duo got started on this path because they felt compelled to assist refugee women who were living under a bridge near Kuala Lumpur’s city center. And that was just the beginning.

Badass Monkies isn’t just a brand; it’s a lifestyle charitable fashion powerhouse with a heart. Through its initiatives and apparel, BAM aims to elevate and empower the underprivileged and disaffected. The moniker, inspired by the founders’ own personas, reflects their dedication to community, philanthropy, and, importantly, empowerment.

Targeting empathic individuals driven to make a difference, BAM’s apparel serves as a canvas for social change. From streetwear to sports gear, each piece embodies boldness and positivity, attracting advocates for registered charities, social projects, and CSR initiatives.

Beyond fashion, BAM’s impact extends through webinars and CSR Conversation E-books, addressing crucial issues like supporting inmates in Malaysian prisons. Teaming up with organizations like the Catholic Prison Fellowship Association and corporate sponsors, such as Fipper Slipper, BAM pioneers initiatives like supplying essentials to underprivileged inmates at Kajang Prison who are in need of basic goods.

THE BAM x ABWM SOAP DRIVE

Recognizing the importance of basic hygiene, even for those who are currently paying their debts to society in prison, BAM’s latest initiative involves a collaboration with the Association of British Women in Malaysia (ABWM), who are spearheading an ongoing soap collection drive. Without judgment, supporters are urged to contribute unused soap bars to the ABWM Bangsar House, championing dignity for all. (Please, no liquids or gels; only soap bars.)

Kindly note that, even though the poster notes that donations are welcome through the end of May, the initiative is actually still ongoing, so you may drop off your soap bars at any time!

To learn more, visit www.badassmonkies.com, or on Facebook at www.facebook.com/badassmonkies. (Follow on social media at badassmonkieskl.)

The post Empowering Empathy: The Badass Monkies Movement appeared first on ExpatGo.

Whipping Malaysia’s local fashion scene into a frenzy, the official debut of New York Couture Fashion Week brought all the glitz, glamour, and best dressed fashionistas to Parkroyal Collection Kuala Lumpur on February 25, 2023.

The event, which was organized by Media Path International (Malaysia World News) in partnership with Couture Fashion Week New York (CFW NY), saw more than 10 participating designers and over 50 professional models from all over the world including Japan, Ukraine, Singapore, Indonesia, the Philippines, South Africa, and Malaysia.

Winning the Best Fashion Designer award for 2023 and blowing her competition clear away was Gurdip Kaur from Penang, creator and founder of GypsyKorn Atelier. This win will doubtlessly be catapulting Gurdip’s career into high gear now that she’s invited to the U.S. to represent Malaysia at the New York Fashion Week next year!

Reported by WORLD OF BUZZ, Gurdip lets in on her unique creative process that started her winning collection, and what she looks forward to experience in New York.

“Our brand’s tagline is ‘dare to be different’ and upholding that is something that I find incredibly important. Staying true to that fact is the unique selling point of GypsyKorn, where every outfit is built like armor, in a sense that they’re all modular, so to speak.”

GPSYKORN’S ENVIRONMENTALLY FRIENDLY COLLECTION, PUNKATURE, IS AN ODE TO QUEEN “V”

“Inspired by Queen Victoria from the era named after her, the Industrial Revolution and a tribute to dame Vivienne Westwood, who is also known as the ‘Queen of Punk’ and the late Alexander McQueen, this collection merges all punk culture elements from the aforementioned historical figures, a marriage of steampunk aesthetics, metal spike studs, and leather”, Gurdip shared. 

“As a direction towards sustainability, the leather used in this collection are from discarded garments that have been stripped and deconstructed, giving them new life and I’d like to thank Life Line Clothing Malaysia for providing me with these materials.”

“The values of Vivienne Westwood and Alexander McQueen motivated me to challenge conformity and create revolution through fashion,” she explained.

WINNING BEST FASHION DESIGNER

Expressing her shock and gratitude, Gurdip is ecstatic that she’s finally being recognised by the fashion world

“It was a scary experience for me to be on a platform amongst other senior designers. I didn’t take this as a competition, and instead, I wanted to make a statement on what my brand is and who I am – that was the only thing running through my head being a fairly new young designer to the industry,” she shared.

Gurdip also talks about the challenges she faced on her journey, especially with battling many different stereotypes in her community for how she chooses to express herself.

“I’ve had to deal with being stereotyped by my community with my appearance from having tattoos and piercings and I’ve had that chip on my shoulder for the longest time.”

“I want all other designers out there who are going through a similar journey to never give up and to know that what you dream is possible if you really set your mind to it”, she added. 

Gurdip’s experience in the industry has seen her dressing various artists in the local music scene including Maruxa Lynd for the Northern Music Festival 2022, Late Night Frequency for Anugerah Indie Muzik 2023 and KVEN DAVÉ Fantasy music video. Upcoming projects for Gurdip includes a 6-piece collection in collaboration with Sekumpulan Orang Gila, a local modern-rock band.

And alongside this new project, she will also be heading to New York for their Couture Fashion Week in February 2024!

Gurdip adds, “An an independent designer from Malaysia, I want to showcase that creativity in my country is not just limited to big brands. I believe that there are many talented individuals here in my country, including fashion designers, musicians and artists who deserve to be seen and heard.”

As for navigating the local industries that are more conservative in a traditional sense, Gurdip doubles down on her vision, enforcing that there has to be more boldness in creativity in order to be recognised in international arenas.

“Even though Malaysia is known as a conservative country, I believe that we should always think outside the box and strive for international recognition. Winning this opportunity would not only be a great international platform for me but also a positive representation of Malaysia.”

Learn more about Gurdip’s upcoming journey to the Big Apple on GypsyKorn Atelier Facebook page and Instagram.

The post Local Designer Goes On To Represent Malaysia at New York Couture Fashion Week appeared first on ExpatGo.

For fashion designer Pavithra Varathan, this year’s Merdeka-cum-Malaysia Day was an opportunity to touch on a number of topics with her Kanjivaram silk saree brand ZOBHA.

The 63rd National Day celebrating independence and unity was highlighted with a special curation of twin masterpieces emblazoned with national symbols. This unique creation was further commemorated with Malaysian models and Merdeka-born twins Thanuja and Anuja Ananthan showcasing the garments at an exclusive shoot at the Sultan Abdul Samad Building.

Representing the Jalur Gemilang, Malaysia’s national flag, the Kanjivaram sarees were specifically made to embody the fourteen stripes of equal width, representing the thirteen states and the federal territories that shape the nation. Woven as part of the saree too was a royal bold blue associated with unity, serving as the backdrop to gold crescent moons and stars, the identity of royalty and the entities that govern the nation.

A signature of the Kanjivaram saree, the pallu/mudhani (decorative trim) at the ends of the cloth were embellished with designs of Malaysia’s Bapa Kemerdekaan (Father of Independence) Tunku Abdul Rahman, as well as a fascinating detail of Malaysia’s architectural achievements in a skyline spread.

The Kanjivaram saree

Predecessor beliefs in ancient Sanskrit records noted the saree is a four-and-a-half to eight meters-long unstitched cloth draped into a manner forming a lower garment, chest band, and head or shoulder covering.

Since the 6th century B.C.E, many tactful pleating methods have continuously shaped and evolved across the Hindu kingdoms. As one of the world’s oldest garments at 5,000 years of history, many women across South Asia, from politicians to farmers, continue to wear the saree on a daily basis and for all occasions.

For Kanjivaram sarees, an intricate process begins with the harvesting of mulberry silk. The word ‘Kanji’ refers to the region of Kanchipuram in the South of India where the sarees are woven, and ‘Varam’ translates into boon. Threads of silk are immersed in rice water and sun-dried before weaving to increase tensile strength and stiffness.

Utilising a tari (a vintage weaving loom), an authentic and classically beautiful 49-inch Kanjivaram saree is made in an average of twelve days. The pallu and the body of the saree are generally created separately, and interlocked with such neat precision that even if the saree is damaged, the border will not detach. This is the speciality of the Kanchipuram weavers, a technique so distinctive that no other region can replicate it.

When asked if such talent could be brought to Malaysia to encourage local production, Pavithra noted that logistics of a singular loom could cost at least RM6,000 – RM7,000; and that about 30 looms are needed for her level of production. Her envisioning for ZOBHA to be a custom Kanjivaram saree supplier to Malaysia thus has to be curated remotely, and her designs sent to her 27-strong team of authentic Kanchipuram-native weavers.

Pavithra’s mission

Alongside the Merdeka specials, custom outfits using Kanjivaram silk were also curated in honour of Malaysia’s front-liners. National uniforms of the Malaysian Police Force, the Malaysian Medical Force, Firefighters, and the Malaysian Military inspired the design of these outfits modelled by notable fellow Malaysian female entrepreneurs. With tailored blouses designed by Trihamsa, textiles such as the songket and brocade added to the silk display, and highlighted the unity of the multicultural nation.

The collection is to be donated to the National Art Gallery or the National Museum to share the stories of unity and strength of Malaysia in facing the next decade together.

“To be called Malaysian is to help each other during times of distress and I believe as a nation we must stand together to battle this pandemic.”

• Pavithra Varathan, founder and designer of ZOBHA

Unfortunately, in the midst of these celebrations of identity and culture, a controversy erupted on social media, one Pavithra was compelled to also respond to with the curation of her pieces.

Local actress Mira Filzah drew criticism from the local Indian community on social media as she posed in full traditional Indian wear, complete with facial accessories fit for a bridal ensemble to promote her latest line of coloured contact lenses. Lip-synching to a song from one of Bollywood’s famous epics, Devdas, Mira soon trended under accusations of culturally appropriating one of Malaysia’s marginalised communities.

While she defended herself with reasoning that Bollywood culture was a big part of her life like most Malaysians, others retaliated against her reasoning for using the culture for personal profit in a media landscape that has not been inclusive, and ignores any kind of real representation for Indians.

Pavithra, understanding the perspective of an industry player, stressed that an understanding of what is being communicated to the public is a must. A consideration of culture, gestures, appropriation, appreciation, and respect must be kept in mind. Malaysia, being a country famous for multiculturalism, isn’t without mistakes, but only through addressing and educating the ignorant can we progress forward as one nation united with respect.

She fondly recalls a time going to school in Baju Melayu and cheongsams for Merdeka celebrations, and meeting friends of other cultures also swapping traditional wear as a sign of embracing and appreciating the various cultures of Malaysia. Through the ZOBHA Merdeka campaign, Pavitra hopes to continue this spirit of inspiring people to embrace cultural legacies and local history, with a special touch on ancient artistry.

To view more of the ZOBHA collection and to purchase a custom Kanjivaram saree of your own, visit their store at 12, Jalan Tun H S Lee, City Centre, 50100 Kuala Lumpur; or on Instagram (@kancheevaram_weaves_by_zobha) and Facebook (@kancheevarambyzobha).

The post Cultured Couture: The Kanjivaram Silk Weave appeared first on ExpatGo.

While consumers are being educated on being more consciously aware of ethical buying, a unique and meaningful new fashion collection looking to address fabric waste and repurpose fashion has been unveiled. Fugeelah by Khoon Hooi, ‘Leftover, Not Left Out’ is turning clothing and textile waste into fashion-forward statements by up-cycling and reusing fabrics.

Fugeelah by Khoon Hooi, ‘Leftover, Not Left Out’ – stems from a collaboration between social entrepreneur, Deborah Henry and local designer Khoon Hooi. The collaboration sees both parties weave sustainability into fashion where every crafted accessory is made
entirely from leftover fabrics from designer Khoon Hooi’s collection over the past 10 years.

“The textile industry has had a reputation of waste problems for years, ‘Leftover, Not Left Out’ is a step to a more sustainable approach,” shares Deborah.

She went on to add that by rethinking what many would consider waste, this collaboration breathes new life into leftover fabrics that may otherwise end up in a landfill, turning them instead into something that can be kept forever. The vibrant and quirky limited-series collection includes the Little C (cocktail bag) retailing at RM139, Big C (an adjustable crossbody bag) going for RM169 and the Multiway Twilly at RM45.

Each individual piece is unique on its own – with different types of lining on each bag depending on the availability of the fabrics used, making the collection really special. Khoon Hooi said he was looking to do something meaningful to give back to society.

“That’s when it hit me – why not collaborate with my close friend, Deborah Henry? With this line, we not only get to up-cycle fabrics that have been sitting on shelves for years but also do our part to help empower refugee children in Malaysia.” said Khoon Hooi.

Deborah, the founder of Fugeelah – a lifestyle accessory social enterprise that supports the sustenance of Fugee School, has been actively championing the rights of refugee children to equal education.
“Conscious shoppers can make meaningful choices with their purchases – to make them count, to make them matter, to make a change. Fugeelah by Khoon Hooi, ‘Leftover, Not Left Out’ offers a solution that can both satisfy the fashionista in you whilst appealing to your philanthropic nature,” added Deborah.

All proceeds from the sale of the Fugeelah by Khoon Hooi line will be funnelled back to refugee families through Fugee School – the non-profit refugee education hub, specifically paying for the students’ IGCSE examinations fees. The Fugeelah by Khoon Hooi ‘Leftover, Not Left Out’ collection is available exclusively at www.fugeelah.com.

The post Upcycling & Paying it Forward Through Fashion appeared first on ExpatGo.

“One man’s trash is another man’s treasure.”

This idiom could not ring any truer at a thrift store. Second hand clothes, off-season garments, over-produced articles, there is no end to what you could find in the many seemingly randomly organised racks in bare shop lots and open markets. 

Repurposing or reselling textiles has had a long history alongside the fashion industry, when nothing went to waste. Leftover scraps became a part of a whole new article, and worn fabrics were used to patch and stuff. But when the manufacturing industry became industrialised, mass-production of clothes became possible, and reduced the need to scrimp and save. Clothing reached a point of being practically disposable as more people could afford newer apparel on a whim.

Unfortunately, this meant that the rate of commercial textile heading straight to the landfill has risen exponentially, accounting for a whole 4% of the total world waste each year. Despite having a recyclable rate of close to a 100%, a whopping 92 million tonnes of clothing is discarded each year, and the general waste management system has faced problems with fabrics clogging disposal machines, and piling up in landfills with no decomposition breakdown.

Thrifting has emerged as the saving grace in combating this unnecessary wastage of wearable clothes, salvaging practically brand-new items that have been rejected by retail standards. Many popular charities, such as America’s Goodwill and the Salvation Army centres have made thrifting a commodity, where people strapped for money could afford ‘new’ clothes for dirt-cheap prices.

But while thrifting offers a solution, the fashion industry has assimilated the culture of over-consumption, providing new ranges and collections by trending seasons. Dubbed ‘fast fashion’, newer models of apparel are cut from synthetic material, decreasing wearablility and adding to the need for replacement instead of upkeep. And with the rising cost of living, spending RM60 on a commercial T-shirt that will probably fade and stretch out after three washes isn’t a great investment. 

Clothes in thrift stores may sometimes be more worn down due to storage and age, but the difference in quality is noticeable. Where brand-new clothes incorporate new-fad faux-shabby looks such as ripped jeans and torn T-shirts, clothes with actual wear and tear in thrift stores are a statement of high durability and how much the previous owner cared for the garment. 

Delving into my own experiences with thrift store-visits and purchasing second-hand items, to share the whole new outlook I’ve gained on the mass fashion industry (as well as some of my best finds) will hopefully de-stigmatise the thought of wearing “someone else’s clothes” and encourage better buying habits.

Personally, my switch from franchises to thrift came from a stylistic point. Clothes in stores such as H&M, Forever21, and even ZARA were too repetitive in style, and at too high a price. Second-hand and thrift stores proved a more exciting shopping experience as I discovered long-lost treasures among the bulk of the discards.

Many of my best dresses evoke pseudo couture styles of the past decades, and none of them ever cost more than RM30. Thrift shops offer collections that are practically historic in both design and fabric. Branded items in my collection, like the Laura Ashley 80s release and the chic Anna Sui pouf dress are just small bonuses. Most don’t even have a label, but have an excellent make nonetheless.

At thrift stores, the amassing of clothes from a myriad of seasons and regions will provide a chance for one to explore different styles. Bold prints, dated designs, and bargain prices will help you breakaway from conventional tastes, and help you realise a wholly individualistic image. Retro, vintage, iconic, and unique, the satisfaction of buying a garment that doesn’t have five equals lined up behind it is something you have to experience.

Not only that, regulated industry sizes can be completely forgotten. Thrift store clothes offer such a wide range of items, there is something for everyone. And if you can’t get an exact fit, the items are so cheap you will have no qualms about taking it to the tailors for a proper fitting. 

ExpatGo has a monthly roundup of events, and many contain listings for flea markets you can check out for pre-loved clothes and thrift experiences. But keep an eye out for nondescript shop lots and racks with piles of clothing to sift through. You’ll never know what you may find!

This article was first published in The Expat magazine (December 2019 edition). To subscribe for more content like this and more, click here.

The post Forget Franchises, Thrifting Threads are Thriving appeared first on ExpatGo.

But though I may carry this excitement as a lover of culture, the true history behind henna has never been quite clear to me until I had a proper conversation with a practitioner of this body art.

Manjurah Nandarajah was born into a family of artists, most influencing of all being her mother. As a home-based baker, Manjurah’s mother filled her home with the smell of goodies fresh out the oven, and gained the admiration of her daughter with the intricate and skillful decoration of many types of cakes. With a love for art and design curated, Manjurah began practicing her art on willing friends with an Artline pen, and evolved into Sharpies on every surface she deemed suitable (but she insists she never committed vandalism!) like notebooks, bags, pencil cases, and shoes.

With the growth of technology, her tools also expanded to the digital verse, familiarising herself with ProCreate apps. But Manjurah also remains strongly traditional, and will practice with a henna cone filled with either acrylic paint or the original henna paste; a convention she does every day to hone her craft to perfection.

The process of drawing is her centering, something she described to me as a form of meditation that calms her down while helping her learn and constantly improve.

You, like me, would be a little surprised to hear that her professional background was previously rooted in the corporate world of banking and logistics for over 14 years. And even after she decided to have a change in career, it would be a couple of years more of working part time in the hospitality industry while studying in Sydney before Manjurah decided to fully quit the corporate lifeto focus on her art and studies. She now has acquired an ideal balance studying at Australia’s prestigious College of Make-Up & Special Effects (ACMUSE) where she is free to test how far her skills can go.

With this, her roots in henna artistry have transcended to a whole new level.

Unlike traditional henna, where a paste is derived from the namesake plant, grinded, stewed, and applied as a staining element, Manjurah has created a formula for the world of entertainment, dedicated to the artistic values of henna.

Her own concoction retains the beauty of the design, but given the fast-paced necessity of short-term makeup, Manjurah introduces a range of coloured henna in the version of body paint with the addition of bejeweling. The traditionally black-only henna that stays on the skin for over two weeks can now be a 24 hours-only commitment, and in colours such as white, gold, and even UV-sensitive neon, perfect for a day-long photoshoot or event. If you were stunned by our beautiful The Expat magazine cover for the month of September, model Claudia Gutierrez (shot by Sabahan-born professional photographer Tammy TingTing) was also Manjurah’s foray into exploring water resistant body art, and we couldn’t be more convinced that she has absolutely succeeded.

She proudly displays the fruits of her two to three-month long research via gracious demonstration on the arms of my co-workers Priscilla, Liyana, and I, and mentioned that her foundations in body paint and performance makeup, as well as research into dermal allergy had perfected a recipe suitable for even those suffering from latex irritation. Her daily practice evidently paid off, as we noted the extra fine lines, quickness, and delicate strokes as she painted us with the swirling floral petals reminiscent of lace.

I couldn’t help but question Manjurah on the sensitive topic of cultural appropriation, as my own ethnicity of Chinese with an interest in Indian art had often raised eyebrows here. Her response was deeply comforting, as she gently explained to me the fine line between cultural appropriation and cultural appreciation.

“Like tattoos, henna is another form of art to express creativity and individuality and it should be universal. Like everyone from any part of the world should be able to enjoy this art and it has to start with awareness and education.”

The art of henna dates back to ancient times, and was practiced medicinally to deal with ailments of the skin wherever the plant grew. From the famed Egyptian kingdoms, to the proud Indian Rajasthan dynasties, and widespread Mogul empires, application of the plant took on a naturally artistic form in addition to its healing qualities, and became synonymous with celebration and beauty.

Manjurah’s experimentation and collaboration in furthering the tradition pays homage to when henna was embraced for artistic value, and in current times, she wishes to see the acceptance continue without fear of strict propriety.

As of now, Manjurah is wholly devoted to building her brand Mongkee Henna into a global sensation, with dreams of henna-adorned people walking down international runways and on screens. Her achievements include this very feature, as well as being given free rein to create original, unique and beautiful pieces during her own personal workshops, client-based commissions, and at festivals. She is also the collaborative artist for Australian-based dance group Bindi Bosses, and has made henna their signature look.

The fact that she can tie this niche part of her heritage to the larger creative realm remains a strong encouraging factor in her exploring opportunities in the world of fashion, and educating people from different parts of the world on henna and its growing popularity in Western countries.

Mongkee Henna is based in Australia for now, but Manjurah also often returns to Malaysia to visit family and host workshops and demonstrations. Visit her Instagram profile @mongkee_henna to know more about her latest artworks and when her next henna session will be.

The post Tracing the Waves of the Soul with Henna appeared first on ExpatGo.

Visible for long haul flights of the national flag carrier, they are inspired by many classical details in Turkish culture. From the currents of the Bosphorus to the artisanal glassware, ceramics and calligraphy patterns by local artisans, the cabin, cockpit, ground handling personnel and flying chef uniforms came to life under a single design in order to give their passengers a holistic brand experience.

The new uniforms come in flag-red and anthracite gray colours, and have been rigorously tested on long-range flights in different climates. Over 25,000 employees have received the tailored outfits in order to serve passengers comfortably.

The uniforms were designed by Italian haute couturier Ettore Bilotta, and were specially sewn by Vakko with fabrics produced by Altmyıldız in compliance with Turkish Airlines flight standards.

In his statement regarding the new uniforms, M. İlker Aycı, Chairman of the Board and the Executive Committee of Turkish Airlines said; “The elegance and comfort of our cabin crews, which constitute the most important element of our unrivaled service quality, are of great importance for our brand that continues to fly at the top of its industry. I believe that our brand’s presence in the skies will be much more impressive when the new cabin uniforms, which bear elements of our culture, are combined with the elegance of our cabin crews.”

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Described to be the latest in beauty tech, Effortless Beauty Malaysia goes the further mile to provide doorstep services, bringing the expertise to you instead. They provide a wide range of services covering bridal and event makeup, eyelash extensions, facial spa, massage pampering, manicures and pedicures, as well as photography and beauty workshops. We had a first-hand treat to this experience, having the opportunity to try out Effortless’ lash extensions and gel mani-pedi nail services.

Eyelash Extension Service

By Sarah Anne Lee

Having never realised eyelash primping could go beyond the strip of false eyelashes, this introductory session into semi-permanent lashes was indeed a treat. I’d also like to mention that Effortless Beauty’s services also extend to getting pampered at the office, which was what I chose to do.

Julia, a certified eyelash beautician, was more than accommodating to clueless me. As I didn’t know what to expect, she expertly assessed the minute details that will affect the outcome, such as the shape of my eyes, the way I washed my face, and my general sense of style that would suit an everyday voluminous lash look.

Since I wasn’t the type to touch my face up with even the barest of foundation before I left the house, Julia navigated me through little care tips that would benefit my skin in the long run, and encouraged me to view the lash extension finishing as a step towards boosting personal self care.

While I was tempted to go full on Doll with the even-length lashes, ultimately we decided to go with the Cat-eye arrangement for a more manageable and natural look. With a slightly exaggerated length to the corners of my almond-shaped eyes, the end product was nothing short of beautiful.

During the 2-hour process of Julia painstakingly applying each tiny bundle of synthetic lashes onto my own existing lashes (she explains that sticking on the lash directly onto the eyelid could cause irritation), Julia truly demonstrated the utmost care in bedside manner someone required to lie still for that long could ask for.

Not only did she assure me it was alright to simply fall asleep in my position, she continuously checked in to ensure I was in a comfortable mood throughout.

The positive comments that ensued in the following two months of having the lash extension definitely boosted and helped me embrace a breakaway from my usual sloppy self. Even with a bare face, friends noted how expressive I became, and how natural the lashes suited me, and I enjoyed the whole two months of having them before they dropped off naturally.

Whether for an upcoming big event, or simply to feel pretty, Effortless Lash Extension Service is definitely something to treat yourself to, with guarantee of quality service and worthwhile product endurance.

Classic natural lashes are priced at RM198.

Gel Nail Service

By Priscilla Emmanuel

Before being put in touch with Effortless Beauty, it was a long while since I last treated myself to a mani and pedi. A while being a good 6 months at least due to a hectic work schedule. The only time I had to myself were my precious weekends which were obviously taken up with errands and chores I would be too tired to tackle during the the week. So needless to say, I certainly missed having my nails done, and it showed with my chipped and peeling polish having been sadly neglected for too long.

I made an appointment with Effortless Beauty with June via Whats App for a Saturday service at my residence in Cheras. June was prompt and helpful with arranging everything, and my appointment was confirmed almost instantaneously as soon as I provided her with my home address.

Yikkie, one of Effortless’ nail experts arrived precisely on time at 2pm, and proceeded to set up as soon as I showed her into my living room. She was quick, cordial, and pleasant to chat with. She showed me a variety of designs and colours for gel applications and I decided on a lovely jade green cat’s eye design for my fingers, and a dazzling deep hue of galaxy blue and purple for my toes.

The whole process took about 90 minutes more or less, and by the end of it, I was truly chuffed at having the luxury of getting my nails done right in the comfort of my own home, saving me so much time.

Yikkie was professional and thorough with her application, and two months on, my nails are still pretty intact without much chipping, with the exception of new growth. Which reminds me, I’ll need to make another appointment soon.

Gel manicure and pedicure home service starts from RM239.

For a full look at Effortless Beauty services and prices, visit their site here.

Appointments can be booked via their Facebook page, or by calling +60 16-892 1862.

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